The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 32
... least , would move quickly lest the hand of maman fall too hard on bare legs . But I waited until the rain actually began to fall before closing my balcony doors , for the wind was cool against my face . The activity that preceded the ...
... least , would move quickly lest the hand of maman fall too hard on bare legs . But I waited until the rain actually began to fall before closing my balcony doors , for the wind was cool against my face . The activity that preceded the ...
Side 51
... least as much with their quality as with their concept . There are several stories floating around of how Pollock started his drip painting technique . I don't really think that this is too important . I am sure he wasn't sitting around ...
... least as much with their quality as with their concept . There are several stories floating around of how Pollock started his drip painting technique . I don't really think that this is too important . I am sure he wasn't sitting around ...
Side 55
... least they offered something positive against which the student could react and also taught them something about their craft . Today they are deprived of even that . The students are confused in and out of school . They don't know ...
... least they offered something positive against which the student could react and also taught them something about their craft . Today they are deprived of even that . The students are confused in and out of school . They don't know ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale