The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 51
... involved in an experience and at that stage his concern was painting . It is the writers and the promoters who ... involvement in art . In the 19th century the artist had to struggle against the ignorance and hostility of the world ...
... involved in an experience and at that stage his concern was painting . It is the writers and the promoters who ... involvement in art . In the 19th century the artist had to struggle against the ignorance and hostility of the world ...
Side 52
... involved look real good . I suppose we could go on and speculate endlessly on the social , economic and esthetic forces that created the present paradoxical situa- tion for the arts and culture in general . I would rather leave this ...
... involved look real good . I suppose we could go on and speculate endlessly on the social , economic and esthetic forces that created the present paradoxical situa- tion for the arts and culture in general . I would rather leave this ...
Side 55
... involved in art education carry a tremendous responsi- bility . After all , it is our job to give a solid foundation and focus to young artists . Most of the art schools are not only incapable of offering a positive philosophy , but ...
... involved in art education carry a tremendous responsi- bility . After all , it is our job to give a solid foundation and focus to young artists . Most of the art schools are not only incapable of offering a positive philosophy , but ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale