The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 8
... everything into a swirl of thick richness in her mind , filled up her thinness , her pinched face and skinny hands . It propelled her down the hall , past the tapestries which seemed very old indeed , on a rug which gave under each step ...
... everything into a swirl of thick richness in her mind , filled up her thinness , her pinched face and skinny hands . It propelled her down the hall , past the tapestries which seemed very old indeed , on a rug which gave under each step ...
Side 50
... everything I like . So much the worse for the things they have to get along with one another . " - The last twenty years brought a new wave of changes in the world of art . Until the Second World War Paris was the unchallenged center of ...
... everything I like . So much the worse for the things they have to get along with one another . " - The last twenty years brought a new wave of changes in the world of art . Until the Second World War Paris was the unchallenged center of ...
Side 55
... everything , from the Fontainbleu school on down to Cubism , that now they don't dare to take chances anymore . By showing everything under the sun , they play the law of averages . With this method they can't miss . This is un ...
... everything , from the Fontainbleu school on down to Cubism , that now they don't dare to take chances anymore . By showing everything under the sun , they play the law of averages . With this method they can't miss . This is un ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale