The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 19
... course she was charming . But it wasn't all that . It was something else . It was the way she had , through all her smiles and chatter , of sizing a man up . Even he , Harland admitted , after all their years together , was still trying ...
... course she was charming . But it wasn't all that . It was something else . It was the way she had , through all her smiles and chatter , of sizing a man up . Even he , Harland admitted , after all their years together , was still trying ...
Side 48
... course , this is not purely intuitive , but intellectual analysis comes after the creative impulse is satisfied . The artist is involved in a com- pulsive act . No matter how controlled this might seem on the surface he never knows ...
... course , this is not purely intuitive , but intellectual analysis comes after the creative impulse is satisfied . The artist is involved in a com- pulsive act . No matter how controlled this might seem on the surface he never knows ...
Side 49
... course , I am fully aware of what an im- portant role the Impressionists and Post - impressionists have played in the development of contemporary art , but to me Cubism represents the introduction of a new , special concept that has ...
... course , I am fully aware of what an im- portant role the Impressionists and Post - impressionists have played in the development of contemporary art , but to me Cubism represents the introduction of a new , special concept that has ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale