The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 48
... concept of the artist working within the frame- work of his time never was as true as it is today . We can be grouped by generations , although , even so , we have overlapping influences , but national and regional characteristics are ...
... concept of the artist working within the frame- work of his time never was as true as it is today . We can be grouped by generations , although , even so , we have overlapping influences , but national and regional characteristics are ...
Side 49
... concept of our time is Cubism . I think , we could go even further and say that Cubism was the most revolutionary development in the western world since the Renaissance . Of course , I am fully aware of what an im- portant role the ...
... concept of our time is Cubism . I think , we could go even further and say that Cubism was the most revolutionary development in the western world since the Renaissance . Of course , I am fully aware of what an im- portant role the ...
Side 51
... concept on the function of painting . In Europe , no matter how revolutionary was the turn of a new direction , its roots were solidly imbedded in the tradition of western art . This is obvious when one sees a Cezanne or a Picasso in a ...
... concept on the function of painting . In Europe , no matter how revolutionary was the turn of a new direction , its roots were solidly imbedded in the tradition of western art . This is obvious when one sees a Cezanne or a Picasso in a ...
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