The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 18
... close to its delicacy . But the face turned to him was a nice enough one . He liked the clean lines of it and the wide brow . " Nothing , I'm afraid . ” " Why do people go ? " " Oh ... " she looked vague . " I go for the ride . " " I ...
... close to its delicacy . But the face turned to him was a nice enough one . He liked the clean lines of it and the wide brow . " Nothing , I'm afraid . ” " Why do people go ? " " Oh ... " she looked vague . " I go for the ride . " " I ...
Side 29
... close to dawn and 1 was shivering . I tore the cover and blankets out from under me and slid under them . Now it was the warmth of wool I felt and was glad for . That morning I saw the sun come over the rooftops . Because it was the ...
... close to dawn and 1 was shivering . I tore the cover and blankets out from under me and slid under them . Now it was the warmth of wool I felt and was glad for . That morning I saw the sun come over the rooftops . Because it was the ...
Side 47
... close to us . The narrow - minded idiotic attitude of the dominating middle class continued into the 20th century . The image that the artist is always rejected by society was deeply imbedded into public consciousness . The martyrdom of ...
... close to us . The narrow - minded idiotic attitude of the dominating middle class continued into the 20th century . The image that the artist is always rejected by society was deeply imbedded into public consciousness . The martyrdom of ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale