The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
Fra bogen
Resultater 1-3 af 5
Side 34
... beginning of August . We had dinner together , not talking about what was coming . Then we went to the station , and I found my place in the train . I lowered the window to talk to him . When it was time to go , a look of panic came ...
... beginning of August . We had dinner together , not talking about what was coming . Then we went to the station , and I found my place in the train . I lowered the window to talk to him . When it was time to go , a look of panic came ...
Side 47
... beginning of modern art , further and further back . Some relate it to Goya , some to El Greco , some to Uccello ; at this rate we would go back to the Cycladic art or even to the prehistoric cave paintings . I think that the theoreti ...
... beginning of modern art , further and further back . Some relate it to Goya , some to El Greco , some to Uccello ; at this rate we would go back to the Cycladic art or even to the prehistoric cave paintings . I think that the theoreti ...
Side
... Beginnings of Art By S. GIEDION . The A. W. Mellon Lectures in the Fine Arts , 1957. A com- prehensive study of the prehistoric art of Europe with more than 300 photographs of cave paintings and sculpture , and many drawings , dia ...
... Beginnings of Art By S. GIEDION . The A. W. Mellon Lectures in the Fine Arts , 1957. A com- prehensive study of the prehistoric art of Europe with more than 300 photographs of cave paintings and sculpture , and many drawings , dia ...
Andre udgaver - Se alle
Almindelige termer og sætninger
accept afraid answer artist asked became began beginning believe century Claire close color coming concept contemporary course cover create Cubism culture dark dead developments don't door early Eugenia everything exist expression eyes face feel felt followed hair hand hard Harland head heard human ideas important involved island Italy knew laughed least leave letter light living looked Mark mass matter mean mind morning move museums never night noticed once painting Paris past perhaps Pollock position pulled question remember rest seemed sense shadow slowly smiled sound speak started stopped street sure talk things thought took trees turned understand voice waited walked wall wanted watched waves wind woman write