The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 7
... afraid , both of the house and of the night . Ahead was a hall , lighted by an old- fashioned lamp which had a shade constructed of broken pieces of glass , all different shapes and colors . Tapestries hung upon the walls richly ...
... afraid , both of the house and of the night . Ahead was a hall , lighted by an old- fashioned lamp which had a shade constructed of broken pieces of glass , all different shapes and colors . Tapestries hung upon the walls richly ...
Side 23
... afraid my love ; Of the red sands , Or the black capes in the arena . Be not afraid of the night , my love ; Where sorrow clings to the sands And the gull plucks at the bones of trepidation . I come from the sea ; From the cool rains ...
... afraid my love ; Of the red sands , Or the black capes in the arena . Be not afraid of the night , my love ; Where sorrow clings to the sands And the gull plucks at the bones of trepidation . I come from the sea ; From the cool rains ...
Side 32
... afraid , very afraid . . . yes , afraid , very afraid ... " How do you protect someone from such a fear ? I tried all that day to find the words , remembering the strong thing I had seen pass between us once . When the sense of ...
... afraid , very afraid . . . yes , afraid , very afraid ... " How do you protect someone from such a fear ? I tried all that day to find the words , remembering the strong thing I had seen pass between us once . When the sense of ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale