The Yale Literary Magazine, Bind 130,Oplag 3–4Yale Literary Society, 1962 |
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Side 48
... Cubism , Braque , Picasso , Juan Gris . Cezanne's paintings prophesied its coming but we know that he had different ideas when he was talking about the remaking of Poussin . Great innovators in art are seldom aware of how revolutionary ...
... Cubism , Braque , Picasso , Juan Gris . Cezanne's paintings prophesied its coming but we know that he had different ideas when he was talking about the remaking of Poussin . Great innovators in art are seldom aware of how revolutionary ...
Side 49
... Cubism . I think , we could go even further and say that Cubism was the most revolutionary development in the western world since the Renaissance . Of course , I am fully aware of what an im- portant role the Impressionists and Post ...
... Cubism . I think , we could go even further and say that Cubism was the most revolutionary development in the western world since the Renaissance . Of course , I am fully aware of what an im- portant role the Impressionists and Post ...
Side 55
... Cubism , that now they don't dare to take chances anymore . By showing everything under the sun , they play the law of averages . With this method they can't miss . This is un- questionably safe , but I am afraid , it might be more ...
... Cubism , that now they don't dare to take chances anymore . By showing everything under the sun , they play the law of averages . With this method they can't miss . This is un- questionably safe , but I am afraid , it might be more ...
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20th century afraid Andrée answer anymore artist asked avant-garde beach became boat cave paintings century Claire Claire's Cliden coffee color concept contemporary art Cranberry creative Cubism culture dark darling dead door dream Edward Freeman El Greco Eugenia everything Expressionism eyes face feel felt Gabor Peterdi grass grey hair hand Hannes Harland looked Harland watched ideas Impressionism island Ivan Jackson Pollock Jean-Claude Juan Julia jumped Karl Lehmann knew lamp Lannie laughed letter light mass Max Ernst Michael Gill Miro museums Neo-Dada never night painting Paris Picasso Pollock pulled remember Renaissance rue de Rennes seemed shadow shore slowly smiled someone sound started stopped street sure Surrealism Surrealists talk thin things thought Tony trees turned voice waited walked wanted warmth waves white woolen coat wind woman words write Yale