Memoirs of the Life of Charles Macklin, Esq: Principally Compiled from His Own Papers and Memorandums; which Contain His Criticisms on and Characters and Anecdotes of Betterton, Booth, Wilks and Most of His Contemporaries ... the Whole Forming a Comprehensive But Succinct History of the Stage ...
Lackington, Allen and Company, 1799
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actors admirable affection againſt appeared attention audience Barry became beſt better brought called cauſe character Charles Cibber circumſtance comedy conduct conſequence Drury-lane Dublin engaged entered excellent fame firſt Fleetwood formed fortune friends Garrick gave give hand heart himſelf houſe immediately juſt kind lady laſt lived London look Lord Macklin Manager manner means ment merit mind Miſs moſt muſt nature never night obſerved occaſion once opened Opera parties paſſion Patentee performed perſon piece play Players pleaſe preſent priſoner Quin reader received reſpect Rich ſaid ſame ſays ſcene ſeaſon ſee ſeems ſenſe ſeveral ſhall ſhe ſhould ſome ſoon ſpirit Stage ſucceſs ſuch ſupported Theatre theatrical theſe thing thoſe thought tion took town tragedy uſe voice whole whoſe young
Side 177 - A' made a finer end and went away an it had been any christom child; a' parted even just between twelve and one, even at the turning o' the tide: for after I saw him fumble with the sheets and play with flowers and smile upon his fingers...
Side 231 - Wit, my Lords, is a sort of property; it is the property of those who have it, and too often the only property they have to depend on. It is indeed but a precarious dependence. Thank God! we, my Lords, have a dependence of another kind...
Side 301 - The Moor is of a free and open nature, That thinks men honest, that but seem to be so ; And will as tenderly be led by the nose, As asses are.
Side 216 - ... where the one ends, or where the other begins. There can be no great and immediate danger from the licentiousness of the stage. I hope it will not be pretended, that our Government may, before next winter, be overturned by such licentiousness, even though our stage were at present under no sort of control.
Side 308 - Then, crush'd by rules, and weaken'd as refin'd, For years the pow'r of Tragedy declin'd ; , From bard to bard the frigid caution crept, Till Declamation roar'd whilst Passion slept; Yet still did Virtue deign the stage to tread, Philosophy remain'd, though Nature fled.
Side 307 - WHEN Learning's triumph o'er her barbarous foes First rear'd the stage, immortal Shakespeare rose; Each change of many-colour'd life he drew, Exhausted worlds, and then imagin'd new: Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain. His powerful strokes presiding truth impress'd, And unresisted passion storm'd the breast.
Side 309 - The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. Then prompt no more the follies you decry, As tyrants doom their tools of guilt to die...
Side 263 - Out upon her ! Thou torturest me, Tubal. It was my turquoise ; I had it of Leah, when I was a bachelor. I would not have given it for a wilderness of monkeys.