The Hazards of Adopted Identity in Coriolanus, Macbeth, and The Winter's TaleStanford University, 1979 - 790 sider |
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Side 197
... lost and won " from the previous scene and their greeting of Macbeth by his new title in the following scene . The general phrase " What he hath lost , " furthermore , invites us to recall that what the Thane of Cawdor lost was his ...
... lost and won " from the previous scene and their greeting of Macbeth by his new title in the following scene . The general phrase " What he hath lost , " furthermore , invites us to recall that what the Thane of Cawdor lost was his ...
Side 270
... lost to the artificial winter of Sicilia , and is " Welcome hither , As is the spring to th'earth " ( 5.1 . 150-151 ) . Macbeth , of course , hardly welcomes the moving wood , because in this tragic world , nature returns not in ...
... lost to the artificial winter of Sicilia , and is " Welcome hither , As is the spring to th'earth " ( 5.1 . 150-151 ) . Macbeth , of course , hardly welcomes the moving wood , because in this tragic world , nature returns not in ...
Side 362
... Lost is the quest for the self , a quest in which man , with the best of intentions , can go astray . Every man is born with his passions and must in some way control them or risk being lost forever . 71 cannot simply rule them out ...
... Lost is the quest for the self , a quest in which man , with the best of intentions , can go astray . Every man is born with his passions and must in some way control them or risk being lost forever . 71 cannot simply rule them out ...
Indhold
Implications of SelfElevation | 41 |
III | 60 |
and the Wombs Determinism | 73 |
Copyright | |
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Almindelige termer og sætninger
adopted identity archetypal artificial aspects aspiration Aufidius Autolycus Banquo becomes birth blood Bohemia Caesarean Camillo Cawdor child citizenry Cominius common humanity Coriolanus Corioli crime deed destroy Doppelgänger Duncan elevation Elizabethan fantasy fatal father final Florizel frailties garments hath Hercules hereditary identity Hermione Hermione's heroes heroic Iago ideal inner insists Ixyon Juno king King Lear L. C. Knights Lady Macbeth Lear Leontes literal London Lucien Goldmann Macduff man's martial Menenius metaphor metonymy mirror moral mother murder natural order night nullity Oedipal Othello pattern Paulina Perdita play play's political Polixenes Press procreative Prodigal quest rebirth regenerative regicide remarks Renaissance represents resembles rhetorical Richard Richard III role Roman Rome royal scene seeks seems self-elevated figures self-elevation sense sexual Shakespeare Sicilia similarly sleep sort speech status suggests sword symbolic theatrical thee thou tragedies trans transcend Univ unnatural usurpation Volumnia warns wife Winter's Tale witches womb