Reading Goethe: A Critical Introduction to the Literary WorkThe year 1999 saw the 250th anniversary of the birth of Johann Wolfgang von Goethe, Germany's greatest writer. Appropriately, literary scholars within Germany and beyond paid tribute to this remarkable talent. But a number of commentators also noted that Goethe is often revered rather than read, known of rather than known. It is the aim of this study to provide a corrective to this state of affairs. The authors concentrate on the literary work and offer analyses that represent an impassioned, but by no means uncritical, advocacy -- one that seeks to persuade both academic critics and general readers alike that Goethe is one of the key figures of European modernity. To an extent that is virtually unique in modern literature, Goethe was active in a whole number of literary genres. He was a superb poet, unrivaled in the variety of his expressive modes, and in his ability to combine intellectual sophistication withexperiential immediacy. He also wrote short stories and novels throughout his life, ranging from the The Sorrows of Young Werther, to The Elective Affinities. He was also a highly skilled dramatist, both in the historical mode and in the classical verse-drama. Above all else, Goethe is the author of Faust: a workthat attempts -- and achieves -- more than any other modern European drama. Erica Swales is College Lecturer and Fellow of King's College, Cambridge. Martin Swales is Professor of German at University College London. |
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Indhold
Poetry | 21 |
Narrative Fiction | 57 |
Drama | 87 |
Faust | 125 |
Goethes Discursive Writings | 149 |
Conclusion | 165 |
Notes | 181 |
Andre udgaver - Se alle
Reading Goethe: A Critical Introduction to the Literary Work Erika Swales Ingen forhåndsvisning - 2007 |
Reading Goethe: A Critical Introduction to the Literary Work Erika Swales Ingen forhåndsvisning - 2007 |
Almindelige termer og sætninger
acknowledge aware becomes begins belief central close comes concerned condition context course creative critical culture death desire drama early Egmont energy example experience explores expresses fact Faust feel figure final force German gives Goethe Goethe's Götz hand hear heart Hence historical human intense Iphigenie issue Italy kind later letters literary living material matter means Mephisto mind mode moments moral Moreover move narrative nature nicht notion novel offer opening particular perhaps person philosophical play poem poet poetry political Precisely present reference reflectivity remarkable role scene seems sense sich simply social speaks stanza statement story suggests symbol takes Tasso thinking tion turn understanding voice Werther whole Wilhelm writes young
Henvisninger til denne bog
The Spell of Italy: Vacation, Magic, and the Attraction of Goethe Richard A. Block Begrænset visning - 2006 |