Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 78
... particular experi- ence to the generalization that Time , that old thief , cannot take away such memories as Jenny's kiss , though the kiss itself remains in time past . In this way , man defeats Time . The poem begins and ends with the ...
... particular experi- ence to the generalization that Time , that old thief , cannot take away such memories as Jenny's kiss , though the kiss itself remains in time past . In this way , man defeats Time . The poem begins and ends with the ...
Side 80
... particular real - life experience . He was re - pre- senting , imitating , an experience common in real life , but modify- ing it and giving it particular point here by choosing a certain point of view , a certain attitude , by which to ...
... particular real - life experience . He was re - pre- senting , imitating , an experience common in real life , but modify- ing it and giving it particular point here by choosing a certain point of view , a certain attitude , by which to ...
Side 119
... particular personality , doubt- less the instructions for murder would appall us — just as we would be appalled at the prospect of killing , for Sunday dinner , a chicken brought up as a pet . But this abbot is a duck , a " filthy fowl ...
... particular personality , doubt- less the instructions for murder would appall us — just as we would be appalled at the prospect of killing , for Sunday dinner , a chicken brought up as a pet . But this abbot is a duck , a " filthy fowl ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action actual aesthetic alliteration attitudes become begins behavior called chapter characters close communication Company course critic death describe discussion effect emotions example experience expression eyes fact feel fiction figure gestures GIRL give hand human images imitation individual interest interpretation kind King knowledge language less light limited literary literature living look matter meaning mind moved movement nature never object observe oral particular pattern perhaps personality play poem poet poetry point of view possible present Press prose reader reading response scene seems sense simply snake social sound speak speaker speech story stress suggested symbolic talk tell thing thought tion true understanding University verse voice whole writer written York YOUNG