The Poetry CircusHawthorn Books, 1967 - 249 sider Frontal attack on the sloppiness, pretense, and sensationalism that prevail in much of contemporary poetry. |
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Side 16
... tion marks . And the selection , even if not a model of clarity , is by no means unintelligible . But to say that a work is not freakish , and that it is intelligible , is by no means to proclaim that it is poetry . In these lines , as ...
... tion marks . And the selection , even if not a model of clarity , is by no means unintelligible . But to say that a work is not freakish , and that it is intelligible , is by no means to proclaim that it is poetry . In these lines , as ...
Side 47
... tion of the seasons and the progression from day to night and from night to day . In the human body also there is rhythm , not only in the beating of the heart and the circulation of the blood and the everlasting intake and outpouring ...
... tion of the seasons and the progression from day to night and from night to day . In the human body also there is rhythm , not only in the beating of the heart and the circulation of the blood and the everlasting intake and outpouring ...
Side 88
... tion had illustrated the difference between the matter - of - fact ob- server who sees only what his senses show him , and the imaginative man who creates his own universes . The former , throughout the ages , has been the practical ...
... tion had illustrated the difference between the matter - of - fact ob- server who sees only what his senses show him , and the imaginative man who creates his own universes . The former , throughout the ages , has been the practical ...
Indhold
Introduction | 9 |
The Plodding Muse | 13 |
How to Write a Modern Poem | 24 |
Copyright | |
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American Poetry amid Anthology Arthur Davison Ficke Auden beauty beneath blank verse century Collected Poems contemporary course critics dark dead death dream Dylan Thomas E. E. Cummings earth edited elegy emotion English Ern Malley example expression eyes Ezra Pound face fact feeling freedom heart human imagination John Keats light lines literary look lumber truck Malley Marianne Moore Masefield mean mind modern poet Modern Verse modernists mood never night obscurity offerings passage phrase poet poet's poetic prize prose prosy quoted reader recent rhyme and meter rhythm Robert Shakespeare Shelley singing sleep song sonnet soul spirit stanzas stars Stephen Vincent Benét suppose T. S. Eliot technique Tennyson theme things thought tion traditional trite true ugliness vision W. H. Auden William Carlos Williams words writer York