The Yale Literary Magazine, Bind 115,Oplag 7Yale Literary Society, 1948 |
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Side 7
Adam and Eve In Flemish Painting ALAN F. NEIDLE Two Regrets W. S. HILLMAN T i HIS is no. " B EGIN with an individual ... Adam and Eve : two half panels of The Ghent Alterpiece by Jan van Eyck , Adam and Eve by Hugo van der Goes , the ...
Adam and Eve In Flemish Painting ALAN F. NEIDLE Two Regrets W. S. HILLMAN T i HIS is no. " B EGIN with an individual ... Adam and Eve : two half panels of The Ghent Alterpiece by Jan van Eyck , Adam and Eve by Hugo van der Goes , the ...
Side 8
... Adam and Eve , and even of the female devil , could undoubt- edly be recognized were the models alive today . Because Eden is a literal transcription of the Flemish countryside , the tragedy of the fall is brought close to the ...
... Adam and Eve , and even of the female devil , could undoubt- edly be recognized were the models alive today . Because Eden is a literal transcription of the Flemish countryside , the tragedy of the fall is brought close to the ...
Side 9
... Adam and Eve because of their disobedience . The painting has emotional inten- sity because of its complete realism . Van der Goes wished to lay all of the blame for the fall on Eve , and completely exonerate Adam . The literal set ...
... Adam and Eve because of their disobedience . The painting has emotional inten- sity because of its complete realism . Van der Goes wished to lay all of the blame for the fall on Eve , and completely exonerate Adam . The literal set ...
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