Discourse, Bind 13Indiana University Press, 1991 |
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Side 59
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
Side 123
... argues , was a reordering of gender relations in American society designed to reinforce the interests of masculinity and patriarchy . In order to head off critical reaction to her use of the term " remasculinization , " Jeffords is ...
... argues , was a reordering of gender relations in American society designed to reinforce the interests of masculinity and patriarchy . In order to head off critical reaction to her use of the term " remasculinization , " Jeffords is ...
Side 124
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become behavior body Bruno camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel example expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge scene semiotic sexual signifying social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York