Or in any terms relate Half my love, or half my hate: For I hate, yet love thee, so, More from a mistress than a weed. Sooty retainer to the vine, Than reclaimed lovers take 'Gainst women: thou thy siege dost lay Much too in the female way, While thou suck'st the lab'ring breath Thou in such a cloud dost bind us, That our worst foes cannot find us, And ill fortune, that would thwart us, Shoots at rovers, shooting at us; While each man, through thy height'ning steam, Does like a smoking Etna seem, And all about us does express, (Fancy and wit in richest dress,) A Sicilian fruitfulness. Thou through such a mist dost shew us, Bacchus we know, and we allow As the false Egyptian spell Brother of Bacchus, later born, Or judge of thee meant: only thou Scent to match thy rich perfume Thou art the only manly scent, Stinking'st of the stinking kind, Filth of the mouth, and fog of the mind, Africa, that brags her foison, Breeds no such prodigious poison; Henbane, nightshade, both together, Nay, rather, Plant divine, of rarest virtue ; Blisters on the tongue would hurt you. Which their fancies doth so strike, But no other way they know Or, as men, constrained to part On the darling thing whatever, For I must (nor let it grieve thee, And but seek to extend my days Like glances from a neighbour's wife; And in thy borders take delight, 298. THE VICAR OF WAKEFIELD. JOHN FORSTER. [THE Life and Adventures of Oliver Goldsmith; a Biography; in Four Books,' has recently been written by John Forster, "of the Inner Temple, Barrister, Author of the Lives of Statesmen of the Commonwealth.' Mr. Forster has lighted up the authentic narrative of a literary life with the brilliant hues of taste and imagination; and, what is a higher thing, he has told the story of the errors, the sorrows, the endurance, and the success, of one of the most delightful of our "best authors," with an earnest vindication of simplicity of character, and a deep sympathy with the struggles of talent, which ought to make every reader of this Life more just, tolerant, and loving to his fellows. Amongst the sound criticism of this volume we find the following sensible estimate of Goldsmith's immortal novel.] Every one is familiar with the Vicar of Wakefield. We read it in youth and in age. We return to it, as Walter Scott has said, again and again; 'and we bless the memory of an author who contrives so well to reconcile us to human nature.' With its ease of style, its turns of thought so whimsical yet wise, and the humour and wit which sparkle freshly through its narrative, we have all of us profitably amused the idle or the vacant hour; from year to year we have had its tender or mirthful incidents, its forms so homely in their beauty, its pathos and its comedy, given back to us from the canvas of our Wilkies, Newtons, and Stothards, our Leslies, Maclises, and Mulreadys: but not in those graces of style, or even in that home-cherished gallery of familiar faces, can the secret of its extraordinary fascination be said to consist. It lies nearer the heart. A something which has found its way there; which, while it amused, has made us happier; which, gently inweaving itself with our habits of thought, has increased our good humour and charity; which, insensibly it may be, has corrected wilful impatiences of temper, and made the world's daily accidents easier and kinder to us all; somewhat thus should be expressed, I think, the charm of the Vicar of Wakefield. It is our first pure example of the simple domestic novel. Though wide as it was various, and most minutely as well as broadly marked with passion, incident, and character, the field selected by Richardson, Fielding, and Smollett for the exercise of their genius and display of their powers, had hardly included this. Nor is it likely that Goldsmith would himself have chosen it, if his leading object had been to write a book. Rather as a refuge from the writing of books was this book undertaken. Simple to very baldness are the materials employed. But he threw into the midst of them his own nature; his actual experience; the suffering, discipline, and sweet |