Musicking: The Meanings of Performing and Listening
Wesleyan University Press, 1998 - 230 sider
Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. In this new book, Small outlines a theory of what he terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower.
Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds.
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activity affirm articulate audience Bateson Beethoven celebrate century ceremony classical music complex composer composer's concert hall concert music conductor course create creatures culture dancing drama emotions equal temperament event existence experience explore fact feel formance gesture Gustav Mahler hear human relationships ideal relationships imagine individual instruments J. S. Bach kind language living Ludwig van Beethoven mance masculine meaning melody meta-narrative metaphor mind modern movement Mozart musi musical performance musicians musicologists myth narrative nature Ninth Symphony opera orchestra paralanguage pattern which connects perceive performers and listeners perhaps piano piece Pierre Boulez play players protagonist question rela relation repertory representation ritual score semiotics set of relationships sing social society sonata form song sound stories style Susan McClary symphony concert takes place Tchaikovsky tension theme thing tion tionships tonal harmony ture understand Wolfgang Amadeus Mozart words
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