Being in the Text: Self-representation from Wordsworth to Roland Barthes

actual Adams's aesthetic artist attempt Augustine Augustine's Confessions Augustinian auto autobio autobiographical Barthes's becomes beginning biographical Carlyle Carlyle's composing composition conception consciousness create creative discussion divine Ellmann epistemological Ernest de Selincourt essay exile experience explicit fact fictional Finnegans Wake forgetting Four Quartets fragments Freud genre Hartman Hegel Henry Adams Ibid ideas imagination insists irony James Joyce journey Joyce and Proust kind language literary self-representation M. H. Abrams Marcel memory mind mode narration narrative nature Nietzsche Nietzsche's novel observed Olney past philosophical poem's poet poet's poetic power poetry Portrait practical activity Prelude Prelude's preoccupation present Princeton problematic problems psychological relationship remembering repetition represents restoration retrospective Roland Barthes Romantic Sartor Resartus seeks self-analysis self-consciousness self-reflexive sense serious paradox spiritual Stephen Hero story strategies structure T. S. Eliot Teufelsdrockh textual tion traditional trans University Press Valéry Valéry's William Wordsworth words Wordsworth writes Wordsworth's poem worth's poem